策展論述
「數位靈光」－ICDDC2009國際數位藝術創作展
本次展覽，以南台灣的數位與互動藝術作品為主軸，透過一種「數位空靈」的沈浸感，陳述個人當下狀態的時空光影，思維自己終究在期待些什麼，守候的時刻裏，涉入的又是何種關注。生活總是這樣，城市裏人潮彼此擦經胸肩，交替切換意識與困頓。或許端於生俱的異象宿慧，灰塵的意象通常有精巧的喻義，關於空氣的凝結，影像符號象徵永無止境的空靈。或許已然落入一種思維的俗套，也有可能還需要想一想，就可以明白自己的定義。
在進入異次元國度後，我們總是開始沈浸於歧義之美，思索其中的多層次或然。此般模式，形成了一種體現事物本質細節的認知途徑，計算週遭看似熟悉卻又陌生的景緻所佔的篇幅規模，品味這一點點靈光。猶若Claude Levi-Strauss所說的：「而我們的眼睛卻喪失了辨別能力，我們不再知道怎麼去看待事物。」主觀的規律性，使我們洞見了流光凍結，如此慧黠。我們的創作不再臣屬於理論，於是腳步可以無限輕盈。
此次展出的媒材形式，以互動裝置作品為主，輔以機械裝置、錄像作品、電腦動畫、數位輸出。展出的作品包括：「不跑，就回不了家」、曾．等待、短暫的一生、雨、記憶之痕等。
Digital Inspiration
ICDDC2009 International Exhibition on Digital Arts
This exhibition focused and invited digital and interactive artworks form South Taiwan. We state the current situations our individuals via some extent of “digital inspiration”, think what we indeed expect for, and consider what concerns we involve in the moment of waiting. Life is always like this: people meet each others unconsciously, and in the mean time exchange the cognition and confusion. Some sophisticated metaphors hide behind images and symbols, and wait for our interpretation.
We immerse in the beauty of ambiguities, and think of the multilevel possibilities inside them. Such modes provide cognitive ways to embody the innate characters of things. We can compute and accomplish the inspiration formed by the sceneries which seem familiar but strange to us. Just like what Claude Levi-Strauss said, our eyes lack of the abilities to discriminate things, so that we don’t know how to treat things. The rhythms of subjectivities make us intelligently penetrate the frozen time. Our creation no longer subordinate to theories; our footsteps become more and more lissome. .
The forms and materials in this exhibition contain interactive installation, mechanical installation, video arts, computer animation, and digital prints. These works includes “Run, and Go Home”, “Ever, Waiting”, “Short Life and Fast too”, “Rain”, “Traces of Memories”, and so on.
「數位靈光」－ICDDC2009國際數位藝術創作展
本次展覽，以南台灣的數位與互動藝術作品為主軸，透過一種「數位空靈」的沈浸感，陳述個人當下狀態的時空光影，思維自己終究在期待些什麼，守候的時刻裏，涉入的又是何種關注。生活總是這樣，城市裏人潮彼此擦經胸肩，交替切換意識與困頓。或許端於生俱的異象宿慧，灰塵的意象通常有精巧的喻義，關於空氣的凝結，影像符號象徵永無止境的空靈。或許已然落入一種思維的俗套，也有可能還需要想一想，就可以明白自己的定義。
在進入異次元國度後，我們總是開始沈浸於歧義之美，思索其中的多層次或然。此般模式，形成了一種體現事物本質細節的認知途徑，計算週遭看似熟悉卻又陌生的景緻所佔的篇幅規模，品味這一點點靈光。猶若Claude Levi-Strauss所說的：「而我們的眼睛卻喪失了辨別能力，我們不再知道怎麼去看待事物。」主觀的規律性，使我們洞見了流光凍結，如此慧黠。我們的創作不再臣屬於理論，於是腳步可以無限輕盈。
此次展出的媒材形式，以互動裝置作品為主，輔以機械裝置、錄像作品、電腦動畫、數位輸出。展出的作品包括：「不跑，就回不了家」、曾．等待、短暫的一生、雨、記憶之痕等。
Digital Inspiration
ICDDC2009 International Exhibition on Digital Arts
This exhibition focused and invited digital and interactive artworks form South Taiwan. We state the current situations our individuals via some extent of “digital inspiration”, think what we indeed expect for, and consider what concerns we involve in the moment of waiting. Life is always like this: people meet each others unconsciously, and in the mean time exchange the cognition and confusion. Some sophisticated metaphors hide behind images and symbols, and wait for our interpretation.
We immerse in the beauty of ambiguities, and think of the multilevel possibilities inside them. Such modes provide cognitive ways to embody the innate characters of things. We can compute and accomplish the inspiration formed by the sceneries which seem familiar but strange to us. Just like what Claude Levi-Strauss said, our eyes lack of the abilities to discriminate things, so that we don’t know how to treat things. The rhythms of subjectivities make us intelligently penetrate the frozen time. Our creation no longer subordinate to theories; our footsteps become more and more lissome. .
The forms and materials in this exhibition contain interactive installation, mechanical installation, video arts, computer animation, and digital prints. These works includes “Run, and Go Home”, “Ever, Waiting”, “Short Life and Fast too”, “Rain”, “Traces of Memories”, and so on.
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